Every week of the NFL season, LiveX produces a live broadcast for the sports media brand Cheesehead TV</a>, featuring co-founders Corey Behnke and Aaron Nagler. This past spring. Green Bay Packers general manager Brian Gutekunst appeared live on the program to discuss the offseason and the team's prospects for the season ahead. LiveX handles all the remote contribution feeds while producing the program, complete with custom graphics and professional audio.
In addition to helping several different major sports leagues to produce vertical content for live social broadcasts for platforms like Instagram and TikTok, LiveX has also produced sports podcasts for major broadcasters like ESPN with our work on Kyle Brandt's Basement for Omaha Productions, a daily production exploring the ins and outs of the NFL and beyond, through lively guest interviews and interactive audience segments.
From a remote master control room in Green Bay, WI, a LiveX producer controlled every aspect of the video podcast production. Prior to every show, graphic and audio assets were prepped and reviewed with the script and producer notes. Graphics were managed both on-air and via monitors on the set. From there, an automation workflow was created, allowing numerous assets to fire at the push of a button. Our LiveX producer followed along with the script, launching assets and graphics packages when necessary and bringing in remote guests at the right time. When the live show was wrapped, records were uploaded to the client for clip and posted to social media. Project sessions were saved, and the whole process started again the following morning!
Another area where LiveX has been an industry leader is producing livestreams of dynamic events like the legendary Dyckman Park Annual Summer League. These games feature New York City’s most exciting players, including guests from the NBA and celebrities.
This particular show was made possible by LiveX’s Virtual Video Control Room Production Module. This cloud-based production started with the on-court team, who had three cameras streaming to the cloud. Our remote team then switched the show in the cloud, adding graphics and scoreboard, then streaming to Clash TV and recording isolated cameras with vMix. Since Dyckman Park had no internet connection, we used a CastleCase with bonded LTE connections to make this all possible.
